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Hard Ticket

New Writing Made in Newfoundland

edited by Lisa Moore

Publisher
Breakwater Books Ltd.
Initial publish date
Aug 2022
Subjects
Anthologies (multiple authors), General

Full alternative textual descriptions

Print-equivalent page numbering

EPUB Accessibility Specification 1.0 AA

Table of contents navigation

Single logical reading order

  • eBook

    ISBN
    9781550818284
    Publish Date
    Aug 2022
    List Price
    $20.99

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Description

hard ticket noun (Nfld) a lively character, a tough or headstrong person, someone not easily controlled.

Hard Ticket showcases some of the most exciting writers in Newfoundland. Selected by critically acclaimed author Lisa Moore, these previously unpublished stories highlight the charged and magnetic work of Newfoundland’s next generation of literary trailblazers.

Contributors to the anthology include Bridget Canning, Matthew Hollett, Jim McEwen, Michelle Porter, Olivia Robinson, Heidi Wicks, and others.

About the author

Lisa Moore is the acclaimed author of the novels Caught, February, and Alligator. Caught was a finalist for the Rogers Writers’ Trust Fiction Prize and the Scotiabank Giller Prize and is now a major CBC television series starring Allan Hawco. February won CBC’s Canada Reads competition, was longlisted for the Man Booker Prize, and was named a New Yorker Best Book of the Year and a Globe and Mail Top 100 Book. Alligator was a finalist for the Scotia Bank Giller Prize, won the Commonwealth Writers’ Prize (Canada and the Caribbean region), and was a national bestseller. Her story collection Open was a finalist for the Scotia Bank Giller Prize and a national bestseller. Her most recent work is a collection of short stories called Something for Everyone. Lisa lives in St. John’s, Newfoundland.

Lisa Moore's profile page

Editorial Reviews

“This collection of 17 short stories is an assemblage of introductory punch, narrative compaction, clear-cut and assured characters, and affective and even haunting ambiance. … There are so many strong pieces here, soundly structured and with their own voices and twists.”

The Telegram

“If a successful story needs to be multi-faceted and able to adapt its 'spike,' then an anthology certainly must be the same. In this regard, Hard Ticket is certainly successful.”

The Literary Review of Canada