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The Truth About Facts

by (author) Bart Vautour

Publisher
Invisible Publishing
Initial publish date
Nov 2019
Subjects
Canadian, Popular Culture, Popular Culture
  • eBook

    ISBN
    9781988784410
    Publish Date
    Nov 2019
    List Price
    $9.99

Library Ordering Options

Description

An A-to-Z compendium that finds the wonder in information overload.

The Truth About Facts makes intimate the seeming noise of information and facts by using the tradition of the alphabet book to get back to basics: to make room for wonder, devotion, and a reinvigorated role for poetry in both quick and methodological thought. Vautour leads his readers on an info-drenched, abecedarian jaunt that is both tongue-in-cheek and unquestionably earnest. Ranging from topics as assorted as Brazil Nuts and Juggling to meditations on Rememoration and the Zodiac, The Truth About Facts moves between the surety of aphorism and the anxieties of critique.

"The Truth about Facts subtly and satisfyingly illuminates already existing connections in the seemingly far-flung.”Canadian Literature

"If, like me, you find yourself randomly clicking through Wikipedia articles late into the night, you will love this delightful ramble through the facts."—Sachiko Murakami

About the author

Bart Vautour is Assistant Professor of English at Dalhousie University. He is a scholar of Canadian literature, with a particular interest in the interplay between the history of transnational Canadian cultural production and its contemporary publics. He is co-editor, with Erin Wunker, Travis V. Mason, and Christl Verduyn, of Public Poetics: Critical Issues in Canadian Poetry and Poetics. His is currently completing a monograph project, The Deed Becomes the Word: Canadian Media and Writing on the Spanish Civil War.

Bart Vautour's profile page

Awards

  • Long-listed, Gerald Lampert Award

Excerpt: The Truth About Facts (by (author) Bart Vautour)

Facts about Allotheism

Here are the facts

as we know them:

In the beginning

there was more

than the word.

There are lots of words

in the worship of

strange gods.

Olathe Slim was

on the holiest lam,

after he absconded

with a coarse birretum.

Mollie’s hat, as it was known

among the impertinent.

In a Mali hostel

Olie met Elliot Hams

and from there

they loved

in all directions.

They loved not one

more than the other.

Not once

did they think

to call each other

a rose.

They saw the world

and even hid for a

short time in some of

the most expensive

Lima hotels.

They remained

in constant pilgrimage

and devotionally directed

by poetry and the vague

theories of continental drift

as sketched out

by Arthur Holmes.

Tail ends and cutting edges

nourished their love differently,

albeit in equal amounts.

Very occasionally

they’d send helots mail,

hoping they’d join

the cause of the

in-between.

And sometimes

they’d send messages

into the world anonymously

to news outlets (in countries with

state funding for the arts) via emails

—loth they were to write—

in a lame Lithos, which

left hints of camping

in California state parks.

Their communiqués

were clear: we mustn’t confuse

allotheism with alloethism:

facts and poetics are not

differently sized bees

performing different tasks.

Without a doubt Elliot

would have preferred Baskerville.

But that would have been too plain

and the wrong type of bee.

Too trustworthy.

They’re more irreverent than that.

It’s not trust they are after

when it comes to facts.

Editorial Reviews

"The Truth about Facts subtly and satisfyingly illuminates already existing connections in the seemingly far-flung.”Canadian Literature

"There is a solid tradition of poets taking up the alphabet itself as their point of attack. But I have a hard time thinking of anyone who has done so with as much gusto as Bart Vautour. Following the wisdom of his daughter, through whose eyes and ears the alphabet is encountered anew, Vautour tracks factual and fictional subjects out of anagrammatical accident, on through dictionaries, histories, lexicons, and archives—a Borgenian infinite library we spiral through, as 'hard facts' encrust the edges of the world’s 'fake news.' I want to call Vautour 'the Glen Gould of poetry,' and The Truth About Facts his unmatched alphabetical variations. There’s no jiggery-pokery here—just the worshipping of strange alphabetic gods. I am a convert. I believe every word of it."—Stephen Collis, author of Once in Blockadia and DECOMP

"Fact: this ain’t your colonist schoolmarm’s New England Primer. In The Truth About Facts, Bart Vautour offers a poetic chrestomathy through which we may un/learn the language “of buoyancy in being.” Ebbs and flows of data, his/tories, and records mingle with inter/personal truths and untruths that gather their colours in an intimate orchestra of alphabetic movements. Yet here, nothing is ever sure, and that’s a fact: cold scientific exactness collides with the warmth of language’s poetic undoing to create a balmy fog of inconclusivity, empathy, and communitas. Under Vautour’s hand, the “y-axis breaks” … and in its space, the self, the other, the other’s others uprise. These are the facts and truths, and their implosions and undoings, that you want to sit with, savour, and, with childlike vigour, question everything you thought you already knew."—Kate Siklosi, co-founding editor of Gap Riot Press

"What is a fact? What is a poem? While a reconciliation of the two might seem scholarly and ambitious, you’ll find nothing but friendly invitations in The Truth About Facts. On this meandering journey through an alphabet of facts, you’ll encounter dementors and characters born of anagrams on the more lighthearted routes, while darker paths lead to lying US Presidents and racist exclusionary labour policies. Capital-f Facts and aphoristic lyrics dot these pages, stepping stones of thought that Vautour hops deftly across. Each poem reveals a smart and thoughtful mind in motion, and there is as much playfulness here as there is necessary critique. If, like me, you find yourself randomly clicking through Wikipedia articles late into the night, you will love this delightful ramble through the facts."—Sachiko Murakami, finalist for the Governor General's Award for English-language poetry

Reviewers