From the celebrated author of February and Caught comes an exhilarating new novel that asks: What makes a family? How does it shape us? And can we ever really choose who we love?

As the snowstorm of the century rages, twenty-one-year-old Xavier is beaten and stabbed in a vicious attack. His mother, Jules, must fight her way through the shuttered streets of St. John’s to reach the hospital where Xavier lies unconscious. When a video of the attack surfaces, Jules struggles to make sense of what she sees in the footage — and of what she can’t quite make out.

While Xavier’s story unfolds, so, too, do the stories that brought him there. Here, across families and generations, are stories of mothers, fathers, sisters, and brothers; of children cared for, neglected, lost, and re-found; of selfless generosity and reluctant debt. Above all, Moore, in the inimitable largesse of her art, paints a shimmering portrait of the sacrifice, pain, and wild joy of loving.

A tour de force of storytelling and craft, This Is How We Love brings us a cast of characters so rich and true they could only have been written by Lisa Moore.

Lisa Moore is the acclaimed author of the novels Caught, February, and Alligator. Caught was a finalist for the Rogers Writers’ Trust Fiction Prize and the Scotiabank Giller Prize and is now a major CBC television series starring Allan Hawco. February won CBC’s Canada Reads competition, was longlisted for the Man Booker Prize, and was named a New Yorker Best Book of the Year and a Globe and Mail Top 100 Book. Alligator was a finalist for the Scotia Bank Giller Prize, won the Commonwealth Writers’ Prize (Canada and the Caribbean region), and was a national bestseller. Her story collection Open was a finalist for the Scotia Bank Giller Prize and a national bestseller. Her most recent work is a collection of short stories called Something for Everyone. Lisa lives in St. John’s, Newfoundland.

Lisa Moore's profile page

DEIDRE GILLARD ROWLINGS has been an actor for thirty years. She holds a B.F.A. from Memorial University of Newfoundland and is a founding member of independent theatre company Bare Boards Theatre. She played Nurse Myra Bennett for ten years in Theatre Newfoundland Labrador’s touring production of Tempting Providence by Robert Chafe. Deidre has worked with theatre companies across the country, including for four seasons at The Stratford Theatre Festival. She played Violet in Gordon Pinsent’s Heyday! and is featured as an Irish Nun in Discovery’s Frontier and as Shirley in Christian Sparkes’ recent film Hammer. She’s currently co-writing a Newfoundland comedy television series, The Storys; a children’s book, Tickle Bridge Station; and a screenplay, The Devil’s House. She owns a little piece of property in Gros Morne National Park, which she hopes to develop into a skills collective. In her spare time, she is also a casting director and sea glass enthusiast. 

Something For Everyone is the third audiobook that Deidre has recorded, the others being Michael Crummey’s Hard Light and The Grey Islands by John Steffler. She is very thankful to have the opportunity to voice Lisa Moore’s jubilant and painful stories. She hopes you enjoy these beautifully crafted and moving tales.

Deidre Gillard Rowlings' profile page

• Short-listed, BMO Winterset Award
• Short-listed, Thomas Raddall Atlantic Fiction Award

A masterful book that goes boldly into our most tightly held anxieties, fears, and longings about who and how we love, This is How We Love is an unmissable read.

Open Book

Moore is at her strongest when she writes about ineffable bonds in all their forms, bringing to mind works by Anne Enright and Deborah Levy, both of whom have used family as a device to interrogate women’s hidden lives and desires. Nuanced and heartfelt, This Is How We Love ranks among Moore’s best.

Quill and Quire

As ever, there’s real verve and volume to Moore's writing, with all characters viewed from different angles, as they observe and lure and refract against each other at different times and in different approaches knit together to show ‘This is How We Love.’

St. John's Telegram

Using her careful prose like a trowel ... Moore analyzes the fundamental connection between the ways we love and the stories we hold, tell, and repeat.

Literary Review of Canada

The sentences astonish in thrashing staccato form, unearthing one insight and backstory after the next, memories recounted from different perspectives, the snowstorm all the while never letting up … Such is the power of Moore’s writing.

Winnipeg Free Press

A haunting novel about the complexity of relationships, which can be both mazes of hopelessness and sources of wild joy.

Foreword Reviews

You will want to read This is How We Love in one sitting. Why? Because it won’t leave you alone. The characters live with you and in you and will remain long after you have read the last page.

The Miramichi Reader