(Re)Generation contains selected poetry by Anishinaabe writer Kateri Akiwenzie-Damm exploring a range of issues: from violence against Indigenous women and lands to Indigenous erotica and the joyous intimate encounters between bodies. From her earliest work in my heart is a stray bullet and Bloodriver Woman, through her spoken word works standing ground and A Constellation of Bones, Akiwenzie-Damm’s poetry demonstrates how to represent Indigenous peoples in their full complexity, especially as it pertains to bodily pleasure, love, and loss.
Akiwenzie-Damm's afterword speaks to the relations and obligations Indigenous peoples have to one another and their other-than-human kin, as she reflects on the resilient work that Indigenous creative work has done and continues to do in spite of colonial violence. She stakes a claim for the necessity of poetry in the face of ongoing colonialism, not only in the present but in the future and for the generations to come. The introduction by Dallas Hunt locates Akiwenzie-Damm within the field of Indigenous literature and meditates on her influence on the field of Indigenous erotica.
Kateri Akiwenzie-Damm writes in service of Indigenous brilliance, love, intimacy, and joy, and speaks with an unwavering voice, one that, to paraphrase Akiwenzie-Damm herself, “shakes the earth.”

Kateri Akiwenzie-Damm is a member of the Saugeen Ojibway Nation, Chippewas of Nawash Unceded First Nation, on the Saugeen Peninsula in Ontario. Kateri is an Assistant Professor, teaching Creative Writing, Indigenous Literatures and Oral Traditions in the English Department at the University of Toronto, Scarborough. She has taught creative writing and Indigenous literatures at the University of Manitoba, the Banff Centre's Aboriginal Arts Program, and the En'owkin International School of Writing in partnership with the University of Victoria. Her publications encompass poetry, fiction, non-fiction, radio plays, television and film, libretti, graphic novels, and spoken word. Her teaching and creative work is firmly decolonial, a practice of cultural resurgence, affirmation and survivance. She is a recipient of a REVEAL Indigenous Arts Award for writing, her 2015 book of short stories, The Stone Collection, was a finalist for the Sarton Literary Book Awards, and her collaborative recording A Constellation of Bones was a nominee for a 2008 Canadian Aboriginal Music Award. Kateri was the 2011-2012 Poet Laureate for Owen Sound and North Grey. She founded and coordinated the first Honouring Words: International Indigenous Authors Celebration Tour in 2003 and initiated and was a co-organizer for the first Indigenous Comics Symposium in 2021. She is the founder, publisher, and art director for Kegedonce Press. (Re)Generation: The Poetry of Kateri Akiwenzie-Damm, selected and edited by Dallas Hunt, was released in August 2021. She is currently completing work on a new collection of poetry and a collection of humourous short stories.

Kateri Akiwenzie-Damm's profile page

Dallas Hunt is Cree and a member of Wapsewsipi (Swan River First Nation) in Treaty Eight territory in northern Alberta. He has had creative works published in Prairie Fire, PRISM international and Arc Poetry. His first children’s book, Awâsis and the World-Famous Bannock, was published through Highwater Press in 2018, and was nominated for several awards. His first poetry collection, Creeland, published in 2022, was nominated for the George Ryga Award for Social Awareness in Literature, Gerald Lampert Memorial Award and the Indigenous Voices Award.

Dallas Hunt's profile page