A genre-bending collection of dramatic monologues shining a light on the anxious, self-directed gaze that defines contemporary consciousness.

Borrowing stylistic elements from the prose poem, faux memoir, online diatribe, and philosophical investigation, the twenty-five dramatic monologues in Spencer Gordon’s genre-bending collection shine a light on the anxious, self-directed gaze that defines contemporary consciousness. CEOs lose their obscene wealth in lurid hellrealms; an aspiring writer reassembles a personal history out of fragments from the 2000s; police cadets receive a curious crash course in transduction and ethics; the Great Pacific Garbage Patch and Deepwater Horizon oil spill reveal the immanent sublime.

Ranging from ironic and furious to pleading and melancholic, Gordon’s speakers exist in a world of social media think pieces, hot takes and take downs, fake news and distorted facts, steeped in pop culture and its discontents. They are real people, intimate as kin. But they’re also pseudonyms, ghosts, and playbacks, echoing from insubstantial handles drifting on the web. They lie and lurk and love online, channelling the morphemes of digital language and filtering the concerns of self, performance, digital identity, and complicity through the irreverence, non-rationality, and surprising beauty of Zen.

Spencer Gordon is the author of three books: a collection of dramatic monologues, A Horse at the Window (House of Anansi Press, 2024), the poetry collection Cruise Missile Liberals (Nightwood Editions, 2017) and the short story collection Cosmo (Coach House Books, 2012). He invented the literary magazine The Puritan (now Ex-Puritan) and edited it for over a decade and, in former lives, taught writing at Humber College, OCAD University, and with the University of Toronto and George Brown College. He currently lives in Bowmanville, Ontario, situated within the traditional and treaty territory of the Mississaugas and Chippewas of the Anishinabeg, known today as the Williams Treaties First Nations. He works as a Principal Associate for Blueprint, a non-profit research organization dedicated to solving public policy challenges. Follow him on Twitter/X at @spencergordon and visit his rudimentary website at spencer-gordon.com.

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“To enter A Horse at the Window is to enter the world of dreams and visions, of funhouse mirrors and social-media terrors … Frequently profound, sometimes miraculous.” — Zoomer Magazine

“Genre-defying … Gordon effectively recognizes our overburdened condition and reproduces it with great accuracy.” — Literary Review of Canada