Halfway There
- Publisher
- Playwrights Canada Press
- Initial publish date
- Apr 2021
- Subjects
- Canadian
- Categories
- Set in Nova Scotia
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A simple book with the cover, author, and logo images described. This book contains various accessibility features such as a table of contents, page list, landmarks, correct reading order, structural navigation, and semantic structure. A number of blank pages in the print equivalent book have been removed resulting in some pages not appearing in this digital EPUB. This publication conforms to WCAG 2.0 Level AA.
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eBook
- ISBN
- 9780369102249
- Publish Date
- Apr 2021
- List Price
- $11.99
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Description
- Premiered in August 2016 at the Foster Festival in St. Catharines, ON.
- To be produced in Summer 2021 at The Lighthouse Festival Theatre in Port Dover, ON
About the author
Norm Foster was born in Newmarket, Ontario on St. Valentineâ??s Day. Raised in Toronto, he attended West Hill Collegiate Institute and then went on to study Radio and Television Arts at Centennial College in Toronto and then Confederation College in Thunder Bay. Upon completion of his studies, he began a radio career that would span twenty-five years and which would take him from Thunder Bay to Winnipeg to Kingston and finally to Fredericton, New Brunswick. It was in Fredericton in 1980 that Norm was introduced to the world of theatre. Foster fell in love with the theatre right then and there, and two years later he penned his first professionally produced play, Sinners. It was produced by Theatre New Brunswick and directed by Malcolm Black, who would also direct Fosterâ??s next effort, the highly successful, The Melville Boys. The Melville Boys would go on to be produced across Canada and in the United States, including a well-received run Off Broadway in New York. It would become Fosterâ??s signature play, and the one which would bring his name to the forefront of Canadian theatre. Since then, Norm Foster has produced an astonishing output of work. Nearly forty plays in all, including The Affections of May, the most produced play in Canada in 1991. He has also written a musical with composer Leslie Arden (The Last Resort) and three musicals (Jasper Station, Race Day, and Sitting Pretty) with composer Steve Thomas.
Excerpt: Halfway There (by (author) Norm Foster)
Rita: So what brings you to Stewiacke, Sean? Is there a slacks convention in town?
Sean: I’m going to be working at the Medical Clinic. I’m taking over for Doctor Caldwell for a month.
Rita: You’re a doctor?
Sean: I am.
Rita: Well. And me about due for my annual physical. How fortuitous.
Mary Ellen: Yes, I think I might be coming down with something.
Vi: I’m feeling a little feverish myself, girls. Whoo! Is it hot in here or is it him?
Rita: So, you’re taking over for Pooch Caldwell?
Sean: Pooch?
Rita: Yeah, Pooch. We’ve called him that for years.
Sean: Do I want to know why you call him that?
Rita: Well, it’s no big secret. A while back we had a pharmacist here named Virginia Wilmot. Sometimes she’d go out for lunch and not come back for two or three hours. She’d just disappear. So one day the druggist asked her where she’d been and she said nowhere. She was just screwin’ the pooch. Turns out it was Doctor Caldwell.
Vi: That wasn’t the biggest revelation though.
Sean: No?
Vi: No. It was the fact that it took two or three hours.
Rita: We all thought a little better of Pooch after that.
Sean: Are you sure there’s a waitress working here?
Vi: Yeah, she’s here. Give her time. She’s experiencing a heavier period than usual this month.
Mary Ellen: I don’t know if Janine would want you telling Sean that, Vi.
Vi: Why not? He’s a doctor.
Mary Ellen: I know, but maybe Sean doesn’t want to hear about her heavier period. He just landed in town. He’s looking for a sandwich and a beverage. Maybe it’s too soon to talk about menstruation.
Vi: Is it too soon to talk about menstruation, Sean? Because if it is, I’ll shut the hell up.
Sean: Not at all. Talk about whatever you like.
Rita: Where do you stand on circumcision?
Mary Ellen: Rita!
Rita: He said talk about whatever you like.
Sean: Maybe I should find another restaurant.
Vi: Oh nonsense. Stay right where you are. Here, let me start you off with a coffee.
(Vi goes behind the counter and gets the coffee pot and pours a coffee for Sean.)
Sean: No, I’m in kind of a hurry, so..
Vi: Oh nobody’s in a hurry here.
Sean: No?
Mary Ellen: We can’t be. Every time you go out you see somebody you know and you wind up talking to them for half an hour. Nobody gets anywhere in a hurry here.
Rita: Oh, that reminds me. I saw Penny Steeves on the way to work this morning.
Mary Ellen: Really? I haven’t seen Penny in weeks.
Rita: She’s been over in Elderbank looking after her father.
Mary Ellen: Ted?
Rita: Yeah.
Mary Ellen: What’s wrong with Ted?
Rita: He’s got the gout. Can barely get around.
Vi: It’s the whiskey that causes it. Isn’t that right, Sean?
Sean: That can be one of the causes, yes.
Vi: Well, that’s what it is with Ted. That man drinks like a winded goat.
Mary Ellen: Drinks likes he’s trying to forget two wives.
Sean: That much, huh?
Mary Ellen: Oh that much and more.
Rita: So, yay or nay Sean? On the circumcision question.
(Janine Babineau enters from the back.)
Janine: She it!! This is a bad one. It is one giant mother ffff..
(The other three women point to Sean.)
Hey, how you doin? I hope you haven’t been waiting long. I was just...out back.
Rita: It’s okay, Janine. Vi told him about your heavy flow this month.
Janine: (To Vi.) You what?
Vi: He’s a doctor. It’s fine.
Janine: You what?
Rita: He didn’t even blink, Janine. Took it right in stride.
Editorial Reviews
“[Norm Foster is] an extraordinary observer on the way that people communicate with each other. He is a master at writing about human relationships.”
Sam Tweedle, kawarthaNOW
“Loaded with his typically witty dialogue.”
Joe Belanger, The London Free Press