How It Ends
- Publisher
- Playwrights Canada Press
- Initial publish date
- Jan 2023
- Subjects
- Women Authors, Canadian
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eBook
- ISBN
- 9780369104014
- Publish Date
- Jan 2023
- List Price
- $13.99
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Description
- First produced by Sick + Twisted Theatre at Prairie Theatre Exchange, Winnipeg, in April 2019.
- Debbie wrote the play while adjusting to disability herself.
- Debbie wanted to explore the topic of end-of-life choices when medical assistance in dying legislation was being changed and how people with disabilities are so critical of it.
About the authors
Debbie Patterson is a Winnipeg playwright, director, and actor. Trained at the National Theatre School of Canada, she is a founding member of Shakespeare in the Ruins (SIR), and the founder and current artistic director of Sick + Twisted Theatre. Playwriting credits include How It Ends, Sargent & Victor & Me, (both for Sick + Twisted Theatre) the musicals Head (SIR), Molotov Circus (SummerWorks), and numerous TYA shows for Prairie Theatre Exchange. In 2016, Debbie became the first physically disabled actor to play the title role in Richard III in a professional Canadian production. She was honoured with the United Nations Platform for Action Committee Manitoba’s 2014 Activist Award and the Winnipeg Arts Council Making a Mark Award in 2017. She was twice shortlisted for the Gina Wilkinson Prize. She is a proud advocate for disability justice, living a wheelchair-enabled life in Winnipeg and in a cabin on the shore of Lake Winnipeg with her partner and collaborator, Arne MacPherson.
Debbie Patterson's profile page
Supposedly retired, Michael Sobota continues his writing career providing critical reviews of books, plays, art, musicians, and cultural organizations. Most recently, he led a workshop on writing literary criticism for the Northwestern Ontario Writers Workshop. He lives in Thunder Bay, Ontario.
Excerpt: How It Ends (by (author) Debbie Patterson; foreword by Michael Sobota)
THE ANGEL leads the audience through a passageway that leads to the cloud. On the way, we hear this:
In this universe, as far as I know, there’s only a little bit of life. And when you look at the planet from the space station, and see that thin layer of atmosphere, and you look beyond it, the black cold immensity of space.
Yes, there’s a billion billion billion billion stars in the galaxy, but there is a big unknown, that we don’t really know, we can speculate.
I think it is true that there is life throughout the universe. In fact, I hold with a very old mode of thought that everything is alive. That what is truly real is living consciousness. And that our material world of measurable energy and matter and dimensions, is merely a reflection of that greater, truer reality.
The idea of collective consciousness that underlies everything, and our eternal being in it, and all that sort of thing.
And our current manifestation, where we can only be in one place at one time, that sort of thing: that limiting sort of thing is an illusion. So within that paradigm, death is a much less significant phenomena
I’m a platonic sort of thinker.
Scientists, physicists and others, philosophers, they’re very caught in the human centric sense of life. The explanations they offer are so fantastical.
I can’t credit them either. They don’t inspire any confidence in me. So I hold to my intuitive sense of what reality really is.
Editorial Reviews
“A thoughtful and provocative piece.”
Joff Schmidt, CBC News
“Patterson’s script, which makes use of verbatim interviews she did with a variety of people about end-of-life issues, gracefully addresses ideas of agency and control, of surrendering without giving up.”
Jill Wilson, Winnipeg Free Press