Iphigenia and the Furies (On Taurian Land) & Antigone: 方
- Publisher
- Playwrights Canada Press
- Initial publish date
- Mar 2022
- Subjects
- Canadian
- Categories
- LGBTQ2S characters
Single logical reading order
Compliance certification by:
https://bornaccessible.org/certification/gca-credential/
WCAG v2.0
Accessible controls provided
ARIA roles provided
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WCAG level AA
Short alternative textual descriptions
Accessibility summary:
A simple book with the cover, author, and logo images described. This book contains various accessibility features such as a table of contents, page list, landmarks, correct reading order, structural navigation, and semantic structure. A number of blank pages in the print equivalent book have been removed resulting in some pages not appearing in this digital EPUB. This publication conforms to WCAG 2.0 Level AA.
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No reading system accessibility options actively disabled (except)
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All textual content can be modified
Language tagging provided
Print-equivalent page numbering
Compliance web page for detailed accessibility information:
http://www.idpf.org/epub/a11y/accessibility-20170105.html#wcag-aa
EPUB Accessibility Specification 1.0 AA
-
eBook
- ISBN
- 9780369103048
- Publish Date
- Mar 2022
- List Price
- $15.99
Library Ordering Options
Description
- Iphigenia premiered in January 2019 at Aki Studio in a production by Saga Collectif in Toronto; Antigone premiered in April 2019 at Young People’s Theatre in Toronto.
- Iphigenia and the Furies (On Taurian Land) will be remounted by Theatre Passe Muraille in 2022.
- Jeff was tired of BIPOC artists being relegated to solely performing in Classic plays, so he wanted to write diverse adaptations that can co-exist in the canon but still live as new plays.
About the authors
Jeff Ho is a theatre artist, originally from Hong Kong. As an actor, he has toured as Ophelia in Why Not Theatre’s Prince Hamlet across Canada and the US for over five years. As a playwright, his works include Cockroach, Iphigenia and the Furies (On Taurian Land), Antigone: 方, and trace. Jeff is a recipient of the LAMBDA Literary Award for LGBTQ+ Drama, Toronto Theatre Critics’ Award for Best New Canadian Play, the Jon Kaplan Legacy Fund Award, has been a finalist for the Playwright’s Guild of Canada Drama Award and the Governor General’s Literary Award, and has been nominated for four Dora Mavor Moore Awards. He is a graduate of the National Theatre School of Canada and currently lives in Toronto.
Ho Ka Kei (Jeff Ho)'s profile page
Jonathan Seinen is a founding member of Saga Collectif and Boys in Chairs Collective, co-artistic producer of Architect Theatre, and former artistic associate with lemonTree creations. In addition to directing Black Boys, he directed Iphigenia and the Furies (On Taurian Land), which was nominated for nine Dora Mavor Moore Awards including Outstanding Direction, co-created and performed in Highway 63: The Fort Mac Show and Like There’s No Tomorrow, and was Assistant Director for Timon of Athens at the Stratford Festival. He co-created Charisma Furs with Mx. Sly, which was published by Playwrights Canada Press in Q2Q: Queer Canadian Performance Texts. A graduate of the National Theatre School of Canada, he recently completed his MFA in Theatre Directing at Columbia University in New York City, where he directed Cabaret, Our Town, and The Seagull, and was Assistant Director to Anne Bogart on Tristan Und Isolde at the Croatian National Theatre in Rijeka. He is a current winner of the Canada Council for the Arts John Hirsch Prize, and is now an Assistant Professor at SUNY Buffalo State College in Buffalo, New York.
Awards
- Winner, Lambda Literary Award for Drama
- Nominated, Governor General's Literary Award
- Short-listed, Lambda Literary Awards
- Winner, Toronto Theatre Critics' Award for Best New Canadian Play
Excerpt: Iphigenia and the Furies (On Taurian Land) & Antigone: 方 (by (author) Ho Ka Kei (Jeff Ho); foreword by Jonathan Seinen)
The square swells with conflict
But for a dream like second
The Chorus speaks:
Note: This can be performed solo, by CHORUS 4
Or can be performed chorally, with each member of the chorus
(Minus Antigone or the Guard/Chorus 5)
Taking one line at a time.
Chorus
How strange is the world
How confusing
How clear
How incredible
How disappointing
How angry
How funny
How utterly strange is our world.
But compared to mankind . . .
Well,
The world sits back to
How confusing
How clear
How incredible
How disappointing
How angry
How funny
How utterly strange we humans are.
We fly through the skies
Sail through the seas
Conquer our lands
Inch by inch
As if the world belongs to us alone
The winged creatures that share our skies
We shoot them down and scream
THE SKY IS OURS
The fanged beasts that share our earth
We trap them and scream
THE LAND IS OURS
The fish, the sharks, the submerged entities
We take our nets, our knives, and scream
YOUR FLESH IS OURS
We, men, masters of animals
Of cities
Of countries
Of each other
Whipping through our tongues
Speaking like thunder to show just how smart we are
Flaunting our hair
Brushing our faces to show just how beautiful we are
We answer every unknown with an arrogance of
We know it all, we know it all
We know everything
But
Do we?
What happens afterwards?
After the fall?
After we disappear?
What happens when we die?
We vibrate between the law and our lives
Between being good and being bad
If man veers and stays with the good
Well.
Good for him.
But if man derails.
Finds himself warping his tongue
Into bitterness and anger.
Finds himself disappearing others
For the sake of his own appearances. Finds himself
A leader, leading us to the end instead of the light.
If man stays with evil.
Well.
Good for him.
He proves just how utterly strange we are.
Editorial Reviews
“His adaptation of Sophocles’ Antigone both relocates this Greek story to reflect Ho’s Chinese heritage and directly challenges the narratives that its audience of 12- to 18-year-olds may be hearing in their classrooms right now, while empowering them to do something to change it.” (Praise for Antigone: 方)
Carly Maga, Toronto Star
“The comic timing is flawless; some of the contemporary one-liners could feel glib in less skilled hands, but here they zing. The characters are all emotionally credible, while still bemused by the way the gods have screwed up their lives.” (Praise for Iphigenia and the Furies (on Taurian Land))
Martha Schabas, The Globe and Mail