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Is My Microphone On?

by (author) Jordan Tannahill

Publisher
Playwrights Canada Press
Initial publish date
Sep 2022
Subjects
Gay & Lesbian, Canadian

WCAG level AA

Compliance web page for detailed accessibility information:
http://www.idpf.org/epub/a11y/accessibility-20170105.html#wcag-aa

Single logical reading order

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Short alternative textual descriptions

WCAG v2.0

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ARIA roles provided

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Compliance certification by:
https://bornaccessible.org/certification/gca-credential/

No reading system accessibility options actively disabled (except)

Accessibility summary:
A simple book with the cover, author, and logo images described. This book contains various accessibility features such as a table of contents, page list, landmarks, correct reading order, structural navigation, and semantic structure. A number of blank pages in the print equivalent book have been removed resulting in some pages not appearing in this digital EPUB. This publication conforms to WCAG 2.0 Level AA.

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EPUB Accessibility Specification 1.0 AA

  • eBook

    ISBN
    9780369103741
    Publish Date
    Sep 2022
    List Price
    $13.99

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Description

  • First produced in Canada by Canadian Stage, Toronto, in September 2021.
  • First produced by Theater der Welt, Dusseldorf, in June 2021.
  • The title of the play is a striking quote from Greta Thunberg’s speech to the UK’s parliament in April 2019.

About the author

Jordan Tannahill is a playwright and filmmaker currently living between his hometown of Ottawa and London, UK. His work has been presented in theatres and festivals across Canada and internationally. He won the 2014 Governor General's Award for Drama for his book Age of Minority: Three Solo Plays and was shortlisted for the prize again in 2016 for Concord Floral (also a recipient of the 2015 Carol Bolt Award). Tannahill's book Theatre of the Unimpressed: In Search of Vital Drama (2015) was called "essential reading for anyone interested in the state of contemporary theatre and performance" by The Globe and Mail, and is on the curriculum of several North American universities. Tannahill has been described in the press as "the future of Canadian theatre" (NOW Magazine), "the hottest name in Canadian theatre" (Montreal Gazette), and "the posterchild of a new generation for whom 'interdisciplinary' is not a buzzword but a way of life" (The Globe and Mail).

Jordan Tannahill's profile page

Awards

  • Short-listed, Governor General's Literary Awards

Excerpt: Is My Microphone On? (by (author) Jordan Tannahill)

One day

I will not think you know everything

Or even as much as me

Or maybe much at all

I will be disappointed

In you

In myself

For trusting you

I will have to change my thinking

Realise I am the adult

I am the one taking care of you

I don’t hate you because you’re weak

Or because you’re scared

Or because you’re wrong

I told my Dad: I know you’re older than me in this life, I grant you that.

But who knows how long it’s taken our souls to get here?

There was one life I lived where I was a dog. I was owned by a family and they were very good to me.

And there was another life, when I was a car. And this man drove around inside of me, just going to different appointments and stuff. And then he got rid of me, and I was in a junkyard for years. Just years and years sitting there, underneath all of these other crushed cars, because even though they crushed me into a cube, my soul was still stuck inside.

And then in another life I was like a… a small bubble of foam on a wave coming to shore, and the wave broke, and I burst, and that was it, it was very quick

But before that I was a small stream, for centuries

And in another life I was a mortal girl

Which is this life

And in this life, I finally have the power to speak

After thousands of years

I have a mouth

I have words

So if you don’t mind

Mom

Dad

I’m going to speak

I’m going to shout

When I become a human

I’m going use some words

Editorial Reviews

“An urgent call to action . . . Now, more than ever, we need to listen.”

Glenn Sumi, NOW Magazine

“It’s terrific theatre. Invigorating, challenging, entertaining . . . This is what political theatre should be.”

Sam Mooney, Mooney on Theatre

“Unnerving . . . Disarming.”

J. Kelly Nestruck, The Globe and Mail