When Philip meets Mildred, a disarming tea-shop waitress, he finds his yearning for art and experience consumed by his intense attraction to her. Mildred, for all her teasing, isn’t all that interested in Philip, but rather in flattery, possessions, and security. Yet Philip, in a powerful haze of passion and pride, obsessively pursues Mildred despite the anguish and emotional carnage that repels and binds them at all costs. Of Human Bondage is a grand story of lust, unrequited love, and the pursuit of beauty.

Vern Thiessen is one of Canada's most produced playwrights. His plays have been seen across Canada, the UK, United States, Europe, Australia, New Zealand, and Asia, and have been translated into five languages. His works include Of Human Bondage, Vimy, Einstein's Gift (Governor General's Literary Award winner), Lenin's Embalmers (Governor General's Literary Award finalist), Apple, and Shakespeare's Will. He has been produced off-Broadway five times. Vern is the recipient of numerous awards, including the Dora and Sterling awards for Outstanding New Play, The Carol Bolt Award, the Gwen Pharis Ringwood Award, the City of Edmonton Arts Achievement Award, the University of Alberta Alumni Award of Excellence, The Canadian Jewish Playwriting Competition, and the Governor General's Literary Award for Drama, Canada's highest honour for a playwright. He was also a finalist for the Siminovich Prize in Playwriting. Vern received his B.A. from the University of Winnipeg and an M.F.A. from the University of Alberta. He has served as president of both the Playwrights Guild of Canada and the Writers Guild of Alberta. For six years he served as Artistic Director of Workshop West Playwrights Theatre, one of Canada's leading new play companies. He is married to acclaimed screenwriter and novelist Susie Moloney.

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• Winner, Dora Mavor Moore Award for Outstanding New Play

“There is the shimmer of sheer greatness over much of Vern Thiessen’s adaptation of Of Human Bondage.” —Richard Ouzounian, Toronto Star

“A rich and beautifully rendered story.” —Evan Andrew Mackay, Post City Toronto