Steven Price’s second collection is part of a long-lived struggle to address the mysteries that both surround and inhabit us. The book draws together moments both contemporary and historical, ranging from Herodotus to Augustine of Hippo, from a North American childhood to Greek mythology; indeed, the collection is threaded with interjections from a Greek-style chorus of clever-minded, mischievous beings—half-ghost, half-muse—whose commentaries tormentingly egg the writer on. In poems that range from free verse to prose to formal constructions, Price addresses the moral lack in the human heart and the labour of living with such a heart. Yet the Hopkins-like, sonorous beauty of the language reveals “grace and the idea of grace everywhere, in spite of what we do.” The pleasures of Price’s musicality permeate confrontation with even the darkest of human moments; the poems thus surreptitiously remind us that to confront our own darkness is one of the divine acts of which humans are capable.

Steven Price was born and raised in Colwood, BC. His first collection of poetry, Anatomy of Keys (Brick Books, 2006), won the Gerald Lampert Award and was named a Globe & Mail Book of the Year. His work has appeared in Canadian and American literary journals. He is one of the poets in Breathing Fire 2: Canada’s New Poets, edited by Lorna Crozier and Patrick Lane. Price graduated from the University of Virginia Writing Program, and currently teaches poetry and writing at the University of Victoria.

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The poems are characterized by vivid images, precise details, and many shades of grey. Price clearly delights in choosing and arranging his words to forge lines and phrases at once guttural, visceral, and mythic. He revels in creating inventive compounds: “rain-shivering,” “half-kind,” “wind-amped,” “noonspackled,” “sunhammered.” The neologisms enhance the book’s profound, almost prophetic, feel.

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