Staging Coyote's Dream Volume 3
- Publisher
- Playwrights Canada Press
- Initial publish date
- Jun 2024
- Subjects
- Indigenous Peoples of the Americas, Women Authors, Anthologies (multiple authors), Canadian
Print-equivalent page numbering
Compliance certification by:
https://bornaccessible.org/certification/gca-credential/
Compliance web page for detailed accessibility information:
http://www.idpf.org/epub/a11y/accessibility-20170105.html#wcag-aa
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WCAG v2.0
WCAG level AA
Use of color is not sole means of conveying information
All textual content can be modified
EPUB Accessibility Specification 1.0 AA
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Single logical reading order
No reading system accessibility options actively disabled (except)
Accessible controls provided
Language tagging provided
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Accessibility summary:
A simple book with photos, cover, author, and logo images described. This book contains various accessibility features such as a table of contents, page list, landmarks, correct reading order, structural navigation, and semantic structure. A number of blank pages in the print equivalent book have been removed resulting in some pages not appearing in this digital EPUB. This publication conforms to WCAG 2.0 Level AA.
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eBook
- ISBN
- 9780369104762
- Publish Date
- Jun 2024
- List Price
- $29.99
Library Ordering Options
Description
- Both editors are Indigenous women and practicing/professional dramaturgs.
- Monique is also a very active performer in the Toronto theatre scene in particular, a member of the newly formed Indigenous Dramaturgy Circle at Tarragon Theatre, and mother to Bear Witness of the Halluci Nation.
- Lindsay is Assistant Professor at UBC.
About the authors
Monique Mojica’s (Guna and Rappahannock) theatrical practice is centred in land-based embodied research and the development of culturally specific Indigenous dramaturgies. Her first play, Princess Pocahontas and the Blue Spots, was produced in 1990 and is taught in curricula internationally. She founded Chocolate Woman Collective in 2006 to create the play Chocolate Woman Dreams the Milky Way. She is the co-editor, with Ric Knowles, of Staging Coyote’s Dream vols. I and II. Newly released is Chocolate Woman Dreams the Milky Way: Mapping Embodied Indigenous Performance, written with Brenda Farnell. Most recent performances include Izzie M.: The Alchemy of Enfreakment written by Monique with a diverse creative team, My Sister’s Rage for Tarragon Theatre and The Unnatural and Accidental Women at the National Arts Centre. Monique has collaborated with Santee Smith since 2013 as the dramaturge for Kaha:wi Dance Theatre’s tryptic Re-Quickening / Blood Tides / SKe:NEN, Teneil Whiskeyjack’s Ayita for Edmonton’s SkirtsAfire Festival ,and Audrey Dwyer’s Come Home: The Legend of Daddy Hall for Tarragon Theatre. She is a member of the newly formed Indigenous Dramaturgy Circle at Tarragon Theatre and was the inaugural Wurlitzer Visiting Professor at the University of Victoria’s Theatre Department in 2023.
Dr. Lindsay Lachance is an award-winning dramaturge and Assistant Professor in the Department of Theatre and Film at the University of British Columbia (UBC), where she also earned her Ph.D. in 2018. Most recently, Dr. Lachance holds a Canada Research Chair position in Land-Based and Relational Dramaturgies. Her extensive career in dramaturgy spans over a decade, which includes her role as the first Artistic Associate of the Indigenous Theatre department at Canada’s National Arts Centre. In honour of her Algonquin Anishinaabe family, Lachance’s dramaturgical practices are influenced by her relationships with birch bark biting and the Gatineau River.