“This impressively bleak vision of the near future is as grotesquely amusing as it is grim.” — Publishers Weekly STARRED REVIEW

“A gripping tour-de-force torn from tomorrow’s headlines.” — David Demchuk, author of Red X and The Bone Mother

“A bold dystopian novel that captivates with its dread and depth. The Marigold is unhinged literary horror that goes right to the source of decay.” — Iain Reid, award-winning author of I’m Thinking of Ending Things, Foe, and We Spread

In a near-future Toronto buffeted by environmental chaos and unfettered development, an unsettling new lifeform begins to grow beneath the surface, feeding off the past.

The Marigold, a gleaming Toronto condo tower, sits a half-empty promise: a stack of scuffed rental suites and undelivered amenities that crumbles around its residents as a mysterious sludge spreads slowly through it. Public health inspector Cathy Jin investigates this toxic mold as it infests the city’s infrastructure, rotting it from within, while Sam “Soda” Dalipagic stumbles on a dangerous cache of data while cruising the streets in his Camry, waiting for his next rideshare alert. On the outskirts of downtown, 13-year-old Henrietta Brakes chases a friend deep underground after he’s snatched into a sinkhole by a creature from below.

All the while, construction of the city’s newest luxury tower, Marigold II, has stalled. Stanley Marigold, the struggling son of the legendary developer behind this project, decides he must tap into a hidden reserve of old power to make his dream a reality — one with a human cost.

Weaving together disparate storylines and tapping into the realms of body horror, urban dystopia, and ecofiction, The Marigold explores the precarity of community and the fragile designs that bind us together.

Andrew F. Sullivan is from Oshawa, Ontario, and graduated from the University of Toronto. He has worked in a liquor warehouse and a video game store, and is the associate fiction editor for The Puritan. Andrew’s writing has been been published in a number of literary journals, including Grain, Joyland, and Little Fiction. All We Want is Everything is his first book.

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“This impressively bleak vision of the near future is as grotesquely amusing as it is grim.” — Publishers Weekly Starred Review

“Sullivan’s story blends body horror, urban dystopia, and eco-horror into a unique tale about the high price of progress.” — Library Journal

“The ecohorror angle provides something different for horror fans and climate activists alike.” — Booklist

“A bold dystopian novel that captivates with its dread and depth. The Marigold is unhinged literary horror that goes right to the source of decay.” — Iain Reid, award-winning author of I’m Thinking of Ending Things, Foe, and We Spread

“Sullivan cultivates a truly suffocating atmosphere of economic and social tension, a sense that the world has moved beyond the verge of collapse and into a long, slow slide to oblivion. This is urban horror done right, layered with the cold, unalloyed terror of watching the world crumble in real time. The Marigold is a back-breaker for the genre.” — Gretchen Felker-Martin, author of Manhunt