In eighteen hundred and something something, somewhere upon the banks of a Reddish River in Treaty One Territory, three very different women with a preference for twenty-first century slang sit in a fort sharing their views on life, love, and the hot nerd Louis Riel.

Marie-Angelique, a Metis Taurus, is determined to woo Louis (a Metis Libra)—who will be arriving soon—by sending him boldly flirtatious letters. Eugenia, an Ojibwe Sagittarius, brings news of rebellion back to the fort after trading, but isn’t impressed by Louis’s true mediocre nature. And Cecilia, a pregnant British Virgo, is anxiously waiting on her husband’s return from an expedition, but can’t resist pining over the heartthrob Thomas Scott (Irish Capricorn), who is actually the one secretly responding to Marie-Angelique’s letters. This will all go smoothly, right?

This lively historical satire of survival and cultural inheritance shifts perspectives from the male gaze onto women’s power in the past and present through the lens of the rapidly changing world of the Canadian fur trade.

Frances Koncan is a writer of mixed Anishinaabe and Slovene descent from Couchiching First Nation in Treaty 3 territory, and currently divides her time between Treaty 1 territory in Winnipeg, Manitoba, and the unceded territory of Vancouver, British Columbia. She learned to write by fighting with adults on the Internet in the late ’90s before Internet safety was a consideration. Their theatrical career began in 2007 when they saw a production of The Threepenny Opera starring Alan Cumming and he accidently touched her shoulder. In her free time, she likes playing video games and adding expensive luxury goods to her online shopping cart with no intention of ever checking out.

Frances Koncan's profile page

• Nominated, Dora Mavor Moore Award for Outstanding New Play
• Short-listed, Indigenous Voices Award
• Winner, Toronto Fringe Best New Play Contest

“Not only is the play a fun and clever look at the province’s history, but by weaving in modern slang and references, Koncan (who is of Anishinaabe and Slovene descent) highlights how many Indigenous issues from our past are still relevant today.”

Stephanie Cram, CBC News

“A timely, provocative piece of theatre written from a perspective and voice we need to hear.”

Ian Ross, Winnipeg Free Press