Watch How We Walk
A Novel
- Publisher
- ECW Press
- Initial publish date
- Oct 2013
- Subjects
- Religious, Family Life, Literary
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EPUB Accessibility Specification 1.0 AA
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eBook
- ISBN
- 9781770904699
- Publish Date
- Oct 2013
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Description
Captivating and heart-wrenching from start to finish
When Emily was a little girl, all she wanted to be when she grew up was a Full-Time Pioneer; in her Jehovah’s Witness family, the only imaginable future is a life of knocking on doors and handing out Watchtower magazines. But Emily starts to challenge her upbringing. She becomes closer to her closeted uncle, Tyler, as her older sister, Lenora, hangs out with boys, wears makeup, and gets a startling new haircut. After Lenora disappears, everything changes for Emily, and as she deals with her mental devastation she is forced to consider a different future.
Alternating between Emily’s life as a child and her adult life in the city, Watch How We Walk offers a haunting, cutting exploration of “disfellowshipping,” proselytization, and cultural abstinence, as well as the Jehovah’s Witness attitude towards the “worldlings” outside of their faith. Sparse, vivid, suspenseful, and darkly humorous, Jennifer LoveGrove’s debut novel is an emotional and visceral look inside an isolationist religion through the eyes of the unforgettable Emily.
About the author
Jennifer LoveGrove is the author of the Giller Prize–longlisted novel Watch How We Walk, as well as two poetry collections: I Should Never Have Fired the Sentinel and The Dagger Between Her Teeth. In 2010, LoveGrove was nominated for the K.M. Hunter Artist Award for Literature and in 2015, her poetry was shortlisted for the Lit POP Awards. Her writing has appeared in numerous publications across North America. She divides her time between downtown Toronto and rural Ontario.
Awards
- Long-listed, Scotiabank Giller Prize
Editorial Reviews
“Watch How We Walk is a thoughtful, well-crafted and impressive debut, and one of my favourite reads of 2013.” — Globe and Mail
“There’s blisteringly gorgeous prose in the novel, and the first-person chapters are riveting.” — Publishers Weekly